Serena Vittorini

Architecture of Care2026
A steel table and two welded chairs, rendered unusable, form an asymmetrical dispositif. Every day, a suspended glass reservoir releases a few drops of water onto the same point of the tabletop. The resulting corrosion makes visible the ambivalence of care: a gesture of upkeep that, repeated over time, becomes a form of alteration.
S235 steel, borosilicate glass, water
350 x 80 x 100 cm
Conceived for Side by Side, Centrale for contemporary art, and presented at Le Botanique, Brussels. Curated by Badïa Larouci and Sébastien Ricou. With the support of the Fédération Wallonie-Bruxelles.
Photos © Serena Vittorini
Architecture of Care, installation view at Le Botanique: steel table, welded chairs, suspended glass bulb

Architecture of Care, detail of the borosilicate glass bulbArchitecture of Care, detail, a drop falling onto the steel table
Régime d’assise2026
Designed and built by the artist, a chair with a folded backrest prescribes a single posture. Confronted with this norm embedded in the object, the drag king Dicklan tests, circumvents and reconfigures its intended use: across sixty photographs, the series records the deviations of a body that refuses to conform.
Analogue photography, Hahnemühle Photo Rag Ultra Smooth prints mounted on Dibond
23 x 30 cm, series of 60 images
Archipel exhibition, Contretype, Brussels. Curated by Olivier Grasser. Collection of the CRP, Centre régional de la photographie Hauts-de-France.
Photos © Serena Vittorini
Régime d’assise, installation view at Contretype, Brussels: the series hung at chair-back heightRégime d’assise, installation view at Contretype, Brussels, visitors walking past the seriesRégime d’assise, installation view at Contretype, the prints seen in perspective
Galateo2026
Gathered from the residents of Santo Stefano di Sessanio, phrases heard at the table and handed down from one generation to the next form the libretto of a choral piece. Performed around a nine-metre table set up in the village square, the work turns family intimacy into collective speech, bringing to the surface the codes, hierarchies and silences that the meal perpetuates.
Site-specific installation and choral performance
Raw fir, 900 x 100 x 70 cm
Concept and text selection: Serena Vittorini
Composition: Stefano Baiocco, performed by Corale 99
Biennale del Gran Sasso, Santo Stefano di Sessanio, Italy.
Photos © Mathilde They
Video © Diego La Chioma
Galateo, the Corale 99 and the audience around the table, Santo Stefano di Sessanio
Video still, choral performanceWatch the video →
Galateo, Corale 99 singing around the tableGalateo, the score “Il posto è questo” by Stefano Baiocco